Benvenuto Cellini
Benvenuto Cellini è un’opera in french di Hector Berlioz, rappresentata per la prima volta nel 1838.
Benvenuto Cellini is an opera semiseria in four tableaux by Hector Berlioz, his first full-length work for the stage. Premiered at the Académie Royale de Musique on 10 September 1838, it is a setting of a libretto by Léon de Wailly and Henri Auguste Barbier, who invented most of the plot inspired by the memoirs of the Florentine sculptor Benvenuto Cellini. The opera is technically challenging and was until the 21st century rarely performed. However, the overture occasionally features in orchestral concerts, as does the concert overture Le carnaval romain which Berlioz composed from material in the opera.
Léon de Wailly
Trama di Benvenuto Cellini
Balducci has been summoned to a meeting with Pope Clement VII concerning the commission of a bronze statue of Perseus from the sculptor Benvenuto Cellini. Balducci would have preferred Fieramosca as the chosen sculptor; he also hopes to marry his daughter Teresa to Fieramosca. But Teresa is smitten with Cellini. Before Balducci goes to his meeting with the Pope, Cellini and other Carnival celebrators come on the scene, and pelt Balducci with fausses dragées (flour pellets) that make him look "like a leopard". He can't clean himself off, however, so he continues to his meeting. A bouquet of flowers comes through the window and lands at Teresa's feet. Attached is a note from Cellini saying that he is coming up. He does so, and explains his plan to take her away from her father so that they can live together. He and his assistant Ascanio will be disguised as monks, and will take her from her father during the Mardi Gras celebrations, when the Castel Sant'Angelo cannon is sounded to mark the end of Carnival. Unbeknownst to them both, Fieramosca has also entered the room, and overhears the plan. Upon hearing Balducci approach, Fieramosca hides in Teresa's bedroom, and Cellini hides behind the main room door. To distract her father, Teresa invents a story about a noise in her bedroom. Balducci goes to investigate, and Cellini escapes. To Teresa's surprise, Balducci produces Fieramosca from the bedroom. He and Teresa call on the servants and neighbors to take Fieramosca and dump him…
Estratto dalla sezione Synopsis dell’articolo Wikipedia — testo rilasciato con licenza CC BY-SA 4.0. Leggi la trama completa →
Cast e personaggi di Benvenuto Cellini
12 personaggi documentati da Wikidata con indicazione del registro vocale:
- personGiacomo Balducci (bass)
- personPope Clement VII (bass)
- personBernardino (bass)
- personAn innkeeper (tenor)
- personBenvenuto Cellini (tenor)
- personFrancesco (tenor)
- personTeresa (soprano)
- personBalducci (baritone)
- personFieramosca (baritone)
- personPompeo (baritone)
- personAscanio (mezzo-soprano)
- personColumbine
Libretto di Benvenuto Cellini
Il libretto è scritto da Henri Auguste Barbier, Léon de Wailly — in totale 2 autori di libretto. L’opera è classificata nel genere opera semiseria.
Opere contemporanee
Rappresentate nel decennio a cavallo del 1838, altre 5 opere del repertorio archiviato di compositori diversi:
- Rienzi — Richard Wagner (1837)
- Adelia — Gaetano Donizetti (1840)
- La Fille du régiment — Gaetano Donizetti (1840)
- Un giorno di regno — Giuseppe Verdi (1840)
- Nabucco — Giuseppe Verdi (1841)
Altre opere di Hector Berlioz
- Béatrice et Bénédict (1862)
- I trojani in Cartagine (1863)
- Les Troyens (1863)
- La damnation de Faust (1893)
Dati sull’opera provenienti da Wikidata (CC0, pubblico dominio).